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This
is the tale of an epic 1,000-kilometer trek across
the wild and hostile terrain of Kalimatan in deepest Borneo.
The third largest island on earth, Borneo remains virtually
unknown to the outside world, and it is covered with
impenetrable primary forest and forbiddingly steep
karstic ranges.
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As
Luc-Henri Fage, the driving force behind the expedition, puts it: "This
area is like no other on earth: It challenges the explorer to his utmost
limit, but it rewards him in equal measure".
After
a gruelling overland journey west to east across the island - on foot,
by boat, canoe and bamboo raft - the French speleologist struck gold
at the 3,000-year old archaeological site of Liang Kaung, where he discovered
a wealth of charcoal cave drawings of great antiquity.
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This initial find,
which took place in 1988, was followed by others of equal, if not greater
importance. In 1994, Fage discovered the first examples of prehistoric
art in Borneo, and has since focused his research on six caves ornately
covered almost wall-to-wall with paintings, some of which date back 25,000
years - beautiful and evocative records of an ancient civilisation. |
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Among such images
and symbols as flying lizards, deer, pigs, bovine creatures, worms,
and geometrical symbols, one design stands out as a constantly recurring
theme: the human hand, stencilled, rather than painted, on the cave
walls and ceilings. Over 500 negative handprints have been found in
the six caves undergoing exploration.
The artist appears
to have blown a very fine powdered pigment through a hollow tube or
bone, over a hand pressed against the rock face. Paintings sometimes
appear as high up as 10 metres above the cave floor, in seemingly inaccessible
locations.
However, most astonishing
of all, the majority of the hands are decorated with dots, lines, crosses
and patterns. Fage thinks that these may have ritual or shamanistic
meaning, and may indicate the existence of an elaborate body art. Curved
lines connect some of the hands, like a family tree.
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The
decorations and paintings in the caves of Liang Kaung are among the
most beautiful and varied in all of Southeast Asia. They raise intriguing
questions: What do they mean? How can we explain their similarity to
the Aboriginal art of Australia? Are they sacred symbols or expressions
of everyday life? How did these ancient people survive in such a hostile
jungle environment, and when and why did they vanish?
Luc-Henri
Fage will tackle the formidable challenges of Kalimantan for the ninth
time in 2001, as he sets off once more in search of answers.
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| Cave
art in Borneo
l Sacred
mountain discovery l Giant
ichthyosaur fossil l Submerged
ancient cities l Imagery
of the Maya |
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